The block - it comes for every artist at one time or another.

FF’s Jess Sweetman is no stranger to the heartache of not being able to get on and write.

Luckily she’s willing to explore a raft of techniques from witchcraft to cat gurus, via Brian Eno, as well as inspiration from Werner Herzog to Jackie Collins, to help you find your creative mojo.

The new obsession is sweeping through every industry and film is no exception. Some swear by its efficiency, while others condemn its slippery slope. I’m looking at AI in the film industry and the controversies and headway it’s making.

Biggest fan, mortal enemy… or feeling neutral? It’s time to discuss AI in screenwriting, so sit down with a nice cup of tea as these industry professionals give us their opinions on the matter.

We are living in tumultuous times. Sometimes it feels almost normal to find out that another filmmaker is in hiding, or facing arrest for making a film that has upset a regime. And while this is not a new phenomenon, according to experts, there has been an increase in crackdowns globally on freedom of speech, affecting filmmakers alongside activists, journalists, and anyone else with a platform.

And just to be clear, this isn’t a far-away thing that can be ignored with the casual ennui that comes from living in the West. From Iran to the UK, filmmakers are threatened for speaking truth to power. This article summarises just a few of the places and filmmakers who have been silenced in recent years and it ends with a few glimmers of hope.

In a world where human rights are being violated, hope feels scarce – but that’s not entirely the case. With film festivals and organisations across the globe highlighting these issues, the flicker of hope is growing. I’m exploring these platforms and talking to filmmakers to find out what we, as an audience, can take away from human rights films.

While the film industry still isn’t equal for women, I’m looking at the positive changes that have been made in the industry — and I found a wonderful connection.

Are programmes specifically screening the work of female filmmakers antiquated or important? And do we need dedicated programmes to focus on women’s stories? I reached out to a mix of female filmmakers, festival organisers, and others in the industry to see what they think.

Sometime last year the news broke that the celebrated short film festival held annually in the French town of Clermont-Ferrand was in trouble. One of the major funders of the festival announced a surprise 50% cut in their subsidy for the 2023 edition - that had already taken place.

In the realm of filmmaking, the advent of mobile technology has revolutionized the way stories are told and visual narratives are crafted.

Smartphones have changed how we make and consume media in our daily lives. But how have they impacted areas of the film industry?

Elke Sasse is a filmmaker whose titles include THE CORONA DIARIES, THE WAR ON MY PHONE, and #MYESCAPE - all three documentaries focus on footage shot by real people, taken on their mobile phones.

If you’re as old as I am, you’ll remember the advent of the digital democratisation of filmmaking. That was when, up to that point, only the Gods on Mount Olympus could possibly make films as they were the only ones with access to the filmmaking equipment required to do so. Now, we have all been bestowed the power of the Gods.

With a good story, science fiction, much like horror and fantasy, is a genre that has the capacity to transcend film festival programmes and find multiple homes online when the festival run is over.

You don’t need a budget when you’ve got a beach ball with legs - and other lessons from bargain science fiction films from history.

Speaking to some of our clients (Mike Keaby // The Problem With Time Travel, Heather McQ // A Positive Contribution, Francis Tamburin // IRIS, and Ian Sweeney // Time Tourists) sci-fi scriptwriters are societies modern revolutionaries preparing their audiences with what the future entails. But how do we make it entertaining?

Nurturing the documentarians of tomorrow, filmmaker and LA Times Short Docs curator Nani Sahra Walker shares her wisdom and experiences.

How does the filmmaker and audience interpret documentaries? We ask feature doc filmmaker Riccardo Servini and Oscar-winner Ben Proudfoot.

Academic and short filmmaker Sharon Ryba-Khan shares the importance of audience education in a consumerist world.

Networking these days isn’t just about working a room, it’s also getting the most out of online opportunities too.

You’ve got fresh business cards and you’re ready to mix it up with some filmmakers - where do you go?